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Band: Matt Stevens

CD Title: “Ghost”

Band Website: www.mattstevensguitar.com

Label: Independent Release

Label Website:

Release Date: 2010

 

I don’t think I would be upsetting anyone’s apple cart to suggest that much like the guitar was the instrument that propelled rock music, so keyboards worked in similar fashion to propel Progressive Rock,  and yet having said that I’m amazed at how guitar, both acoustic and electric is forging such a presence in progressive rock today. Those are my thoughts as I listen to the latest musical offering from Matt Stevens entitled Ghost. Borrowing from his website, Stevens is a musician and composer who lives in North London and it’s his compositional approach that is, shall we say somewhat unique. He’s an instrumental artist who uses a guitar and a sampler to craft multi-layers tracks in mostly a live environment. It’s not something you hear straight off but once you know what he’s doing you gain a new found appreciation for his talent.

 

Ghost features ten instrumental tracks with the longest being a smidge over six-minutes long and yet as you weave your way through these tunes you find yourself becoming immersed in sounds and melodies that are constantly changing. Short or long seems to make no difference to Stevens. Each piece is built layer upon layer. In fact it strikes me that his whole point of writing a piece is to see what he can do with it. The end comes when he’s done all he wants to with it. Take a tune like “Big Sky” [5:39] that starts off with some heavy strumming overtop of which is laid some acoustic counterpoint picking all of which comes together and then stops only to start up again with two layers of counterpoint on top. This is then repeated a couple more times without ever sounding repetitious. The piece then ends with the main chording played in reverse. Interesting. The next track, “Eleven” [2:35] is a much more subdued affair with a softer more intimate atmosphere although still somewhat up-tempo playing off guitar and a triangle or bell tree. Then you have a composition like “Draw” [3:39] that starts off with a heavy bass rhythm overtop of which is introduced a some high pitched picking, then lower key picking, then that is doubled up filling out the tones nicely. At the one minute mark the piece gets all dark and doomy sounding a lot like Steve Hackett’s work. Then it returns to a bright and sunny composure and this builds nicely until the doomy part returns. This back and forth is repeated a few more time to great effect. My favorite track is “Lake Man” [6:17] given the way it builds and builds incorporating a powerful melody and dramatic tension to great effect.           

Matt Stevens’ music is quite captivating. It draws you in and as the layers of sounds are piled on you find yourself moving through the various soundscapes almost unknowingly and then the record is done! Where has the time flown? Ghost is his second solo effort and is such a great set of compositions. Fans of acoustic guitar and music created by the likes of Steve Hackett will find a lot to appreciate and enjoy here.

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